Green Thursdays: The Long-Term Costs Of Fracking Are Staggering

Story from Think Progress:

By Jane Dale Owen via chron.com

Picture-62All the hype by the fossil fuel industry about energy independence from fracking (hydraulic fracturing) in tight gas reservoirs like the Barnett Shale has left out the costs in energy, water and other essential natural resources.

Furthermore, a recent report from the Post Carbon Institute finds that projections for an energy boom from non-conventional fossil fuel sources is not all it’s cracked up to be.

The report cites a study by David Hughes, Canadian geologist, who says the low quality of hydrocarbons from bitumen – shale oil and shale gas – do not provide the same energy returns as conventional hydrocarbons due to the energy needed to extract or upgrade them. Hughes also notes that the “new age of energy abundance” forecast by the industry will soon run dry because shale gas and shale oil wells deplete quickly. In fact, the “best fields have already been tapped.”

“Unconventional fossil fuels all share a host of cruel and limiting traits,” says Hughes. “They offer dramatically fewer energy returns; they consume extreme and endless flows of capital; they provide difficult or volatile rates of supply over time and have large environmental impacts in their extraction.”

We must ask, is it worth the cost when it takes from 3 million to 9 million gallons of water per fracture to extract this fuel? The withdrawal of large quantities of surface water can substantially impact the availability of water downstream and damage the aquatic life in the water bodies, says Wilma Subra, scientist and national consultant on the community and environmental impact of fracking. When groundwater resources are used, aquifers can be drawn down and cause wells in the area to go dry.

Once water is used for fracking, it is lost to the water cycle forever,” Subra says.

Texas’ official state water plan calls for the expenditure of $400 million on projects to support the mining sector over the next 50 years, with fracking projected to account for 42 percent of mining water use by 2020. Can we really afford this when the state is already struggling with water resources that will be needed for population growth and the likelihood of future droughts?

Is this expensive, water consuming high-tech, low-energy-return extraction of fossil fuel from shale worth the loss of farm land, forests and wildlife habitat? “Fracking converts rural and natural areas into industrial zones, replacing forests and farm land with well pads, roads, pipelines and other infrastructure, and damaging precious natural resources,” according to a 2012 report by Environment Texas titled “The Cost of Fracking: The Price Tag of Dirty Drilling’s Environmental Damage.” Do we want to pay for the infrastructure damage that the building of these wells will cause? According to the Environment Texas report, “the truck traffic needed to deliver water to a single fracking well causes as much damage to local roads as nearly 3.5 million car trips. The state of Texas has approved $40 million in funding for road repairs in the Barnett Shale region.”

The list of costs not included in the industry’s energy independence hype goes on, and it’s likely that taxpayers will bear the burden.

If we do not get involved, the hype will continue to drown out reason. We must stay informed about permitting of wells and other aspects of fracking as they come up in city and county government and at the state level with theRailroad Commission and the Texas Commission on Environmental Quality.

Let your official representatives know that you expect them to make the protection of your community’s health and environment a priority over an energy boom bubble that will soon burst.

Jane Dale Owen is granddaughter of Robert Lee Blaffer, one of the founders of Humble Oil and Refining Company, the parent company of Exxon Mobil. She is president and founder of Citizens League for Environmental Action Now (CLEAN) www.cleanhouston.org, an organization that for more than a decade has been working to inform and educate the public about solutions to environmental issues. Reprinted from Houston Chronicle with permission of the author.

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Complete the dream: help get Jeremy Loops to LA

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So down in Cape Town, there’s this musician called Jeremy Loops. I heard about him a while ago, but Cape Town has a fair amount of musicians floating about, so we just left it there, to be honest. But Loops started gaining fans and word of mouth and eventually MK Awards too. And then he launched his current Kickstarter campaign to complete his debut album and go on a sort of a world tour – no small aspirations those Capetonians have, hey.

The music that Loops has made so far, and the promise on his debut album, is an unbeatably happy folk sound that combines uniquely African beats with looped electronic acoustics and hooks that are like sunshine in your brain.

Like this:

Because this has been the year of the fan-funded campaign for us, we got excited at the thought of another great South African musician taking their music production into their own hands.

Jeremy has this to say about his music and the campaign:

If you read this blog a lot, you’ll be able to imagine that he’s now one of my heroes because he a) plants trees all day, and b) manages to be good to the environment and make music at the same time – I absolutely know what it’s like to be torn between the two.

But I think it’s important to note that this is not just another album creation campaign. Jeremy is one of thirty acts that has been handpicked from around the world to showcase his talent on a global platform at MUSEXPO in Los Angeles. Widely known as the United Nations of music conferences MUSEXPO puts promising musicians on stage in front of 400 of the most powerful people in the music industry, including record label execs, radio directors, festival bookers and TV and video game licensing experts.

From LA, the team will fly into New York and London for once-off shows, followed by Brighton for The Great Escape. Jeremy has been in studio over the last few months creating new material for this tour some of which will be debuted on his travels.

Jeremy comments: “We need to raise a minimum of $35k to complete the album, as well as bankroll the trip abroad. Every single cent will be spent on refining the music, and creating the absolute best album I am able to. In return for people’s support, we’re offering a variety of things, primarily the album! We think it will likely be ready in October which
is some time still and so we’ll also give backers an EP titled Tiding You Over to, well, tide you over while you what for the album. Ha.”

I don’t think there’s been a crowd-funding project out there that I could implore you more to support. Let’s get Jeremy to LA today!

>> Support the IndieGoGo project here.

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Get Dirty with Converse, Matthew Mole and friends

Press release:

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Converse Africa announces GET DIRTY – Inspired by the Converse seasonal brand expression “Shoes Keep It Clean, Sneakers Get Dirty,” the new music event, GET DIRTY, celebrates the uncompromising mind-set of throwing yourself in headfirst and resurfacing with the marks and scuffs that prove it.

The extensive line-up includes Shadowclub, 2013 SAMA winning Zebra & Giraffe, Reason, Vigilante, Blk Jks, Vetkuk vs Mahoota and many more. Fans will witness an unrivalled live music experience at one of South Africa’s most noteworthy locations, Mary Fitzgerald Square in Newtown, Johannesburg, all for a mere R50.

For more information on the GET DIRTY artist schedule, locations and ticket access please visit www.converse-sa.co.za or follow @Converse_ Africa on Twitter.

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Alpine: wistful indie pop sensation’s debut success

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A is for Australia. A duo. A partnership. A pair. It’s Alpine. This is all about one and two, and four others. Two women sing while their voices front. Hearing a band that instils the voice in as an instrument can be one of the most uplifting sounds. Especially if done in a duo-tone, whereby the high notes meet the lower ones, and the instruments highlight the vocal series that play up speaker A from speaker B.

This six piece ensemble have hit success with their debut album A is for Alpine . This wistful indie- pop sensation have been giving the web tasters of their EP for over a year now, making us anticipate owning each single like it was a sacred stone. Well now that it is out and happens to be alphabetically on top of my other artists on iTunes, the album is starting to feel like a recurring dream. Each time I listen to it, I hear something new.

Spoken out/Fiery heart/Spoken out/Nobody’s here. On “Hands,” the feeling being projected looks like it made them elapse into a slower world of interpretation and exposure. With an emphasis on pausing within each key on the track, there is an immense quality of being connected to the tangible elements their band community is experiencing.

Alpine – Hands

Touring New York and many other cities in America, these Australians feed off performing and feeding off the mood of their fans. Interpreting dance routines and elaborate yogic fixtures, their videos, tours and sound implant a flexible notion of being active in your mind.

They have 5 videos out in a 12 track album, receiving notable attention to each one. However I am attracted to the subtle tones of the ones that aren’t as widely recognised. “Multiplication,” ‘Soft Sides” and “All for One” have a depth and flow that is intricate to their consciousness as a sextet.

The soft side of Alpine is all about pastel colours and glitter, pulling tongues and dressing up, and I am so into that. I enjoy the airy compositions.

So after a good year of stalking the band, which I doubt will disappear soon, I can honestly confess I am mildly obsessed with one, two and the other four from down under.

>> Buy A Is For Alpine on iTunes. <<

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Free Music Monday: The Vaccines, Fourth Of July, The Stone Foxes

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Fourth Of July have a free song called “Drinking Binge” and it said they sound like Japandroids. So basically this should be all of our all-time favourite band. But just in case that doesn’t decide it for you, download their free song below:

Fourth Of July – Drinking Binge

The Stone Fixes – Cotto

Night Beats – They Came In Through The Window

The Vaccines – Norgaard

Kentucky Knife Fight – Hush Hush EP

Treetop Flyers – Things Will Change

Her Majesty – Lisbon Street

I hope your week is awesome!

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Amanda Palmer’s Lessons For Musicians Too Uncomfortable To Ask Their Fans For Money

Story from Hypebot:

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By Levi James (@launchrelease) of music crowdfunding blog Launch + Release.

At the 5:55 minute mark of Amanda Palmer’s now legendary TED talk, I actually teared up a bit. I could totally relate.

She talks about the un-documented immigrant family who sleeps on the couches and the floor in their small apartment so that Amanda and her band can take the beds.

Amanda lies in bed with a sinking feeling of “These people have so little. Is this fair?”

In the morning the Mom expresses her gratitude to Amanda for what her music has done for her daughter.

She realizes after talking to the Mom that it IS fair. It’s a simple human exchange.

Each side gets something they need and can’t get anywhere else.

If you’ve ever experienced anxiety or awkwardness from asking for or receiving help, you will probably be moved by this story like I was.

Amanda has a lot to teach us in the way of trust, connection, & asking for help

Of the 100′s of interviews we’ve done with crowdfunding project creators, asking for money is at the top of the “feared” list.

Musicians feel uncomfortable looking into the camera and asking for money. It feels like begging.

Amanda often asks opening bands if they’d like to go out into the crowd and pass the hat so they can make a little extra cash. She recalls one band member being reluctant because it felt like begging (6:35).

It’s a feeling that what you’re doing is “not very job like” or it’s shameful. Wondering “is this fair?” and the fear of someone yelling “get a real job!” as Amanda has experienced.

This deep seated fear is the root of why almost every artist second guesses herself and her dreams.

When crowdfunding, it’s the one thing that keeps many artists from flipping on the video camera and asking for help. They can’t help but imagine that one person telling them to, “get a job.”

The Ninja, Master Level Fan Connection

At her Kickstarter backer party in Berlin at the end of the night, Amanda stripped and then let everyone draw on her. She claims this to be a “Ninja, Master Level Fan Connection.” The ultimate display of trust where she seems to say, “I trust you this much. Should I? Show me.”

Amanda’s message is clear: Make the human connections, then trust the relationship even though it sometimes seems awkward. Just trust.

[Thumbnail image of Amanda Palmer courtesy Luis Pedro de Castro.]

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